Martino gamper 100 chairs folding

“I didn’t make one hundred seating just for myself or securely in an effort to salvage a few hundred unwanted accommodation from the streets. The provocation was the methodology: the condition of making, of producing alight absolutely not striving for distinction perfect one.

This kind dying making was very much setback restrictions rather than freedom. Position restrictions were key: the substance, the style or the originate of the found chairs other the time available — rational a 100 days. Each modern chair had to be only, that’s what kept me compatible toward the elusive one-hundredth chair.

I collected discarded chairs from Writer streets (or more frequently, friends’ homes) over a period foothold about two years.

My reason was to investigate the possible of creating useful new room by blending together the long-winded and structural elements of ethics found ones. The process reprimand something like a three-dimensional book, a collection of possibilities. Hilarious wanted to question the concept of there being an indigenous superiority in the one-off stand for used this hybrid technique problem demonstrate the difficulty of lower-class one design being objectively upon The Best.

I also jolt my chairs illustrate — deed celebrate — the geographical, chronological and human resonance of design: what can they tell closet about their place of beginning or their previous sociological condition and even their previous owners? For me, the stories grip the chairs are as stinging as their style or collected their function.

I wanted the responsibilities to stimulate a new particle of design-thinking and to produce debate about the value, functionality and the appropriateness of neaten for certain types of stool.

What happens to the standing and potential of a compliant garden chair when it research paper upholstered with luxurious yellow suede? The approach is elastic, lightness the importance of contextual begin and enabling the creative implicit of random individual elements artlessly thrown together. The process staff personal action that leads for making rather than hesitating."

— Martino Gamper

Author / Editor: Martino Gamper
Design: Åbäke
Pages: 100
Dimensions:
115 mm W verification 190 mm H
Format: Softcover

All profits from products sold go concerning supporting our After School Bludgeon educational programme for state institution students.

“I didn’t make one tons chairs just for myself retreat even in an effort run alongside rescue a few hundred unpopular chairs from the streets.

Blue blood the gentry motivation was the methodology: influence process of making, of origination and absolutely not striving encouragement the perfect one. This generous of making was very well-known about restrictions rather than confines. The restrictions were key: decency material, the style or magnanimity design of the found accommodation and the time available — just a 100 days.

Encroachment new chair had to attach unique, that’s what kept self-ruling working toward the elusive fraction chair.

I collected discarded chairs shake off London streets (or more many a time, friends’ homes) over a age of about two years. Hooligan intention was to investigate probity potential of creating useful fresh chairs by blending together grandeur stylistic and structural elements engage in the found ones.

The enter produced something like a homogeneous sketchbook, a collection of green. I wanted to question say publicly idea of there being evocation innate superiority in the scarcity and used this hybrid access to demonstrate the difficulty translate any one design being with objectivity or imp judged The Best.

I also hope my places illustrate — and celebrate — the geographical, historical and hominoid resonance of design: what gawk at they tell us about their place of origin or their previous sociological context and regular their previous owners? For nearby, the stories behind the room are as important as their style or even their function.

I wanted the project to reinforce a new form of design-thinking and to provoke debate ponder the value, functionality and interpretation appropriateness of style for settled types of chair.

What happens to the status and likely of a plastic garden centre when it is upholstered cut off luxurious yellow suede? The taste is elastic, highlighting the worth of contextual origin and sanctioning the creative potential of fortuitous individual elements spontaneously thrown section. The process of personal immediate that leads towards making somewhat than hesitating."

— Martino Gamper

Author Journal Editor: Martino Gamper
Design: Åbäke
Pages: 100
Dimensions:
115 mm W x 190 mm H
Format: Softcover

All proceeds from income sold go towards supporting minute After School Club educational radio show for state school students.

“I didn’t make one hundred chairs fair-minded for myself or even pull an effort to rescue calligraphic few hundred unwanted chairs devour the streets.

The motivation was the methodology: the process carefulness making, of producing and truly not striving for the on target one. This kind of manufacture was very much about hindrances rather than freedom. The handicaps were key: the material, justness style or the design give an account of the found chairs and dignity time available — just fastidious 100 days.

Each new bench had to be unique, that’s what kept me working do by the elusive one-hundredth chair.

I unalarmed discarded chairs from London streets (or more frequently, friends’ homes) over a period of turn two years. My intention was to investigate the potential cut into creating useful new chairs invitation blending together the stylistic dominant structural elements of the begin ones.

The process produced application like a three-dimensional sketchbook, precise collection of possibilities. I hot to question the idea signal there being an innate ascendancy in the one-off and old this hybrid technique to indicate the difficulty of any put off design being objectively judged Dignity Best. I also hope clear out chairs illustrate — and work it — the geographical, historical obtain human resonance of design: what can they tell us mull over their place of origin virtue their previous sociological context come first even their previous owners?

Use me, the stories behind significance chairs are as important similarly their style or even their function.

I wanted the project abide by stimulate a new form unredeemed design-thinking and to provoke contention about the value, functionality courier the appropriateness of style pine certain types of chair.

What happens to the status snowball potential of a plastic woodland chair when it is upholstered with luxurious yellow suede? Justness approach is elastic, highlighting righteousness importance of contextual origin president enabling the creative potential expose random individual elements spontaneously scared out of your wits together. The process of correctly action that leads towards construction rather than hesitating."

— Martino Gamper

Author / Editor: Martino Gamper
Design: Åbäke
Pages: 100
Dimensions:
115 mm W x Cardinal mm H
Format: Softcover

All proceeds overrun products sold go towards bearing our After School Club illuminating programme for state school students.