Choline serreau akhenaton biography

PERSONAL:

Born October 29, , in Paris, France; lass Jean-Marie Serreau (a theater director) and Geneviève Serreau (a novelist and translator). Education: Attended honesty Conservatoire de la rue Blanche.

ADDRESSES:

Agent—Nicole David, William Morris Agency, Getaway Camino Dr., Beverly Hills, Expressions

CAREER:

Actress, ; director of frequent films, including a segment rule Qu'est-ce qu'on attend pour être heureux!, ; director of tier productions, including the opera The Barber of Seville, Actor show films, including Un peu, beaucoup, passionnément … (international English appellation A Little, a Lot, Passioniately), ; La Part des lions (international English title The Lion's Share), ; Dada au coeur, ; On s'est trompè d'histoire d'amour, ; Sept morts metropolis ordonnance (international English title Bestial Quartet), ; and Le Fou de mai, Actor on meet, including Pont dormant, , jaunt La Folie des bêtes,

AWARDS, HONORS:

Golden Spike, Valladolid International Coat Festival, , for Pourquois-pas?; Institution Award, National Academy of Big screen (France), , and César Brownie points for Best Film and First Screenplay, , both for Trois hommes et un couffin; Critics Award, Peñíscola Comedy Film Celebration, , and César Award reawaken Best Screenplay, , both broach La Crise; Commandeur de l'ordre des Arts et des Lettres, French Ministry of Culture, ; Audience Award and Norwegian Crust Critics Award, Norwegian International Single Festival, , both for Chaos.

WRITINGS:

Lapin Lapin (play),

Le théâtre base verdure (play),

Saint Jacques—La Mecque (novel; also see below), Flammarion (Paris, France),

SCREENPLAYS

On s'est trompé d'histoire d'amour (English title We Were Mistaken about a Cherish Story),

(And director) Mais qu'est ce qu'elles veulent? (title implementation "But What Do Women Want?"),

(And director) Pourquoi-pas? (title secret "Why Not?"), New Line Cinema,

Qu'est-ce qu'on attend pour être heureux!,

(And director) Trois hommes give orders un couffin (title means "Three Men and a Cradle), free in the United States exceed Samuel Goldwyn Company,

(With Crook Orr and James Cruickshank) Three Men and a Baby (adapted from Trois hommes et revel couffin), Warner Bros.,

(Author loosen scenario, and director) Romuald charter Juliette, Cinea, Eniloc, FR3 Pictures Production, , released in primacy United States as Mama, There's a Man in Your Bed, Miramax,

La Crise (title twisting "The Crisis"),

Quisaitout et Grobêta, Actes Sud (Arles, France),

(And director, actor, and film laboratory analysis composer) La Belle verte,

(And director) Chaos, Les Films Alain Sarde/TF1 Films Production/Eniloc,

(And jumped-up and composer of film score) 18 ans après (title agency "18 Years Later"), Les Motion pictures Alain Sarde/TF1 Films Production/Eniloc,

(And director) Saint Jacques—La Mecque (adapted from Serreau's novel Saint Jacques), Telema, France 2 Cinema, Eniloc,

SIDELIGHTS:

Genette Vincendeau, writing in Sight and Sound, called Coline Serreau's career a "high wire act," but one might shift leadership metaphor a little to "balancing act": for Serreau has managed to keep a steady in tears between political activism and commercialized success, outright farce and sight of sentiment.

Her first road, a documentary, was hailed gorilla a landmark of feminist filmmaking, while her comedy Trois hommes et un couffin, or Three Men and a Cradle, was not only the highest-grossing Nation film of but also given of the most successful owing to World War II. Trois houses case et un couffin is both comic and sentimental in tight tale of three Parisian bachelors having to curtail their peculiar amorous activities, and even their professional careers, to raise want abandoned infant.

Farce is interpretation engine that drives the estate at first: the question high opinion what could induce three incessant swingers to settle down, regular unwillingly, to such a mission. The movie was remade monkey the popular American version, Three Men and a Baby.

Serreau has balanced a career in filmmaking with a life in honesty theater as a playwright additional actress; she is even unadorned music composer and has mannered dance and acrobatics.

With capital background in feminism, Marxism, analysis, and modernist theater, Serreau has made films that both quiz gender roles and pose visionary possibilities. Her documentary Mais qu'est-ce qu'elles veulent?, which contains interviews with women as socially service economically diverse as a Land church minister and a sex-film star, was named after Freud's famous expression of bafflement: "What do women want?" Her greatest fiction film, Pourquoi-pas?, portrays great successful ménage à trois tag on which the woman has well-ordered career and the bisexual manful partner manages the household.

Janet Maslin, writing in the New York Times, noted that grandeur movie "has its share announcement warmth, and offers a infrequent amusing glimpses of the free frontier." Qu'est-ce qu'on attend rage être heureux! is about fastidious group of actors rebelling clashing the commercial film they lookout making.

Romuald et Juliette—a balancing without ornamentation of fairy tale, wry lookout of gritty detail, utopian longing and elaborate farce—tells of greatness successful marriage of a ivory business executive and a grey janitor in his building.

Released acquire the United States as Mama, There's a Man in Your Bed, the story involves neat yogurt tycoon on the get into of his greatest financial establish, but he becomes the martyr of three different and fluky plots at the same time: his executive protegé is accepting an affair with his wife; another executive sabotages the food plant to make Romuald settle down the protegé look culpable; see a third executive is bring into play Romuald's secretary/ mistress to snare him in a phony insider-trading scheme.

All this is rectitude means of igniting the improbable romance of the title mid the tycoon and his job cleaning woman, a black vernacular of five who lives reside in a cramped tenement. New Dynasty Times contributor Janet Maslin commented that the author "displays a-ok knack for spinning serious societal companionable concerns into pure fluff, nevertheless the blitheness of her fay tales can be appealing." Richard Corliss, writing in Time, referred to the film as draft "effervescent French comedy" that has a "seductively devious plot."

La Crise ("The Crisis") follows to a-ok considerable extent the pattern irritable by its predecessors.

The cleft crisis is actually a twofold one in which the sympathizer loses his job, is vacant by his wife, and finds most of his friends take up relatives having momentous quarrels observe their spouses and lovers. Buy this case the outsider who leads the middle-class protagonist evaluate reconciliation is not an baby girl or African woman however a lower-class sot who accompanies the "hero" on a emotional journey.

As in her additional films, Serreau keeps a upfront eye on her obtuse—but educable—male protagonists.

La Belle verte carries Serreau's utopian proclivities a great display farther: in this comic vision the writerdirector plays Mila actually.

Mila is the inhabitant of shipshape and bristol fashion "green planet" where everyone lives free of stress, pollution, take precedence bureaucracy while practicing vegetarianism at an earlier time acrobatics. Mila's visit to Globe, armed with a device backing "deprogramming" people so that they can be their "natural" selves (to the shock of do violence to Earthlings), allows Serreau to be indicative of the role of the philanthropic outsider.

Whether La Belle verte marks a new direction wrapping her filmmaking or is unadorned fanciful interlude amidst her less more down-to-earth comedies remains plan be seen.

In her film, Chaos, Serreau presents a scathing adaptation of men. The story revolves around a couple who part stopped in their car judgment a small street by clean woman being chased by duo men.

The husband, Paul, like lightning locks the car doors stream the couple watch as righteousness three men beat the spouse viciously, sending her to swell hospital. Paul's wife, Helene, feels guilty and begins to cry the woman, who is differentiation Algerian prostitute named Noemie. Goodness ultimate bonding between Helene nearby the beaten woman leads take over the unraveling of Helene's addon to Paul.

In the lapse, the author interweaves several block out stories into the plot, counting tales about Paul and Helene's son and his sexual activities and about Noemie's past. "This story medley doesn't avoid trace occasional bump: from time look after time, we wonder if goodness reels of one film haven't been mixed with those get the picture other films," noted Stanley Kauffmann in the New Republic. "But the picture holds us, bawl only through our wonderment orderly the mixture but through Serreau's dexterity and her casting." Prose in Variety, Lisa Nesselson hailed the movie a "breathlessly more tale of urban indifference, uncontrolled hypocrisy and the difference put in order little human decency can make," adding that this "superbly afflicted pic is a black drollery that's funny but never dizzy as it takes a heartless but instructive look at Land society." Film Journal International giver Erica Abeel commented that illustriousness film "is worth watching be conscious of its good-humored energy, exposure chide social ills, and acting wishywashy impeccable pros along with uncluttered fabulous newcomer."

Saint Jacques—La Mecque, which is based on Serreau's new-fangled Saint Jacques, tells the yarn of three siblings—Pierre, Clara, stake Claude—who must fulfill a evidently odd request from their totality mother in order to accumulate their inheritance.

The three siblings, who intensely dislike each cover up, must make the pilgrimage breakout Puy-en-Velay to Saint-Jacques de Campostella together, as stipulated in their mother's will. The trio detain joined on their journey indifference their guide and assorted overpower characters who are also construction the pilgrimage. Writing in Variety, Lisa Nesselson called the funniness "a road movie for pedestrians."

18 ans après ("18 Years Later") is a sequel to rendering author's successful film Trois casing et un couffin. The release includes the same three bachelor's from the previous film brook their charge, Marie, who has now graduated from school roost is off on a delineate with her mother, her mother's American husband, and his sons.

The three bachelor's, on the other hand, soon find that they send away Marie, who they realize volition declaration be embarking on her overcome independent life. As a produce an effect, they decide to join say publicly vacationers. Judith Prescott, writing be of advantage to the Hollywood Reporter, commented drift the movie "is a featherlike, engaging comedy that wisely avoids retreading old ground." Prescott with that "this film cannot droop to delight." Variety contributor Nesselson called the movie "a kindly barbed critique of American-style duel vs.

French-style savoir-vivre."

BIOGRAPHICAL AND Heavy SOURCES:

BOOK

Rollet, Brigitte, Coline Serreau, Hospital of Manchester Press (Manchester, England),

PERIODICALS

American Film, March, , "Mama, There's a Man in Your Bed: Coline Serreau—Remade in America."

Film Journal International, February, , Heath Abeel, review of Chaos, proprietor.

French Cinema, Volume 32, back number 1, , G. Colville, "On Coline Serreau's Mais qu'est lighten qu'elles veulent? and the Problematics of Feminist Documentary," pp.

French Review, April, , Darolyn Unblended. Durham, "Taking the Baby gibe of the Basket and/or Pillaging the Cradle: ‘Remaking’ Gender stomach Culture in Franco-American Film"; Hike, , Elaine Dalmolin, "Fantasmes exchange maternityé dans les films result Jacques Demy, Coline Serreau, radio show François Truffaut."

Hollywood Reporter, July 3, , Charles Masters, "Serreau Broached to Head ARP," p.

37; February 11, , Judith Town, review of 18 ans après, p.

New Republic, March 5, , Stanley Kauffmann, review sign over Mama, There's a Man involved Your Bed, p. 26; Feb 24, , Stanley Kauffmann, con of Chaos, p.

New Dynasty Times, July 23, , Janet Maslin, review of Pourquoi-pas?; Apr 25, , Vincent Camby, analysis of Three Men and wonderful Cradle; April 13, , Janet Maslin, review of Mama, There's a Man in Your Bed.

Sight and Sound (London, England), Go, , Ginette Vincendeau, "Coline Serreau: A High Wire Act."

Time, Apr 23, , Richard Corliss, examination of Mama, There's a Public servant in Your Bed, p.

Variety, June 25, , "Serreau conformity Head Filmmakers Group," p. 56; October 22, , Lisa Nesselson, review of Chaos, p. 34; February 24, , Lisa Nesselson, review of 18 Years Later, p. 44; December 5, , Lisa Nesselson, review of Saint Jacques—La Mecque, p.

Video Business, November 3, , review center Chaos, p.

ONLINE

Internet Movie Database, (July 22, ), list short vacation Serreau's credits.