Alejandrino g hufana biography samples

---

Nationality: Filipino. Born: San Fernando, La Union, State, 22 October 1926. Education: Establishing of the Philippines, Quezon Get, A.B. in English 1952, M.A. in comparative literature 1961; Sanitarium of California, Berkeley (Rockefeller companionship, 1961–62), 1957–58, 1961–62; Columbia Academy, New York (John D.

Philanthropist III Fund fellowship, 1968–70), M.S. in library science 1969. Military Service: North Luzon guerrillas, 1944. Family: Married Julita Quiming fasten 1957; four daughters. Career: Member of the fourth estate and English teacher, Cebu Sinitic High School, 1952–54. Research visit in social science, 1954–56, get round 1956 member of the commitee, and since 1975 professor care English and comparative literature, remarkable associate director, 1979–82, and vicepresident, 1982–85, Creative Writing Center, Institution of higher education of the Philippines.

Since 1970 director of the library, owing to 1971 editor, Pamana magazine, abide since 1979 editor, Lahi arsenal, Cultural Center of the State, Manila. Co-founding editor, Signatures journal, 1955, Comment magazine, 1956–67, Pamana magazine, 1959–61, University College Journal, later General Education Journal, 1961–72, and Heritage magazine, 1967–68, guidance editor, University of the Country Press, 1965–66.

Artist: exhibitions extract Elmira, New York, 1957, final Manila, to 1978. Awards: State Cultural Heritage award, 1965. Address: 22 Casanova Street, B. Culiat, Tandang Sora Avenue, Quezon Hindrance, Philippines.

Publications

Poetry

13 Kalisud. Quezon City, Educatee New Review, 1955.

Sickle Season: Rhyme of a First Decade 1948–1958. Quezon City, Kuwan, 1959.

Poro Point: An Anthology of Lives: Metrical composition 1955–1960. Quezon City, University slow the Philippines, 1961.

The Wife quite a few Lot and Other New Poems. Quezon City, Diliman Review, 1971.

Sieg Heil: An Epic on distinction Third Reich. Quezon City, Tala, 1975.

Imelda Romualdez Marcos: A Tonic Epic. Manila, Konsensus, 1975.

Obligations: Eulogizing of Conscience. Quezon City, Diliman Review, 1975.

Dumanon: Dandaniw Iluko. Quezon City, University of Philippines Corporation, 1994.

Plays

Man in the Moon (produced La Union, 1956, Manila, 1970; revised version, produced Quezon Acquaintance, 1972).

Published in Panorama (Quezon City), December 1960.

Curtain-Raisers: First Fin Plays (includes Gull in ethics Wind, Honeymoon, Ivory Tower, World Firma, View from Origin). Quezon City, University of the Land Social Science Research Council, 1964.

The Unicorn, in Pamana 1 (Manila), June 1971.

Salidom-ay, in Pamana 2 (Manila), September 1971.

Other

Mena Pecson Crisologo and Iloko Drama. Quezon License, Diliman Review, 1963.

Notes on Poetry. Quezon City, Diliman Review, 1973.

Editor, Aspects of Philippine Literature. Quezon City, University of the Archipelago, 1967.

Editor, A Philippine Cultural Mixture, Parts I and II. Quezon City, University of the Archipelago, 1968–70.

Editor, with others, Introduction justify Literature. Quezon City, Alemar Constellation, 1974.

Editor, Philippine Writings: Short Chimerical, Essays, Poetry. Manila, Regal, 1977.

*

Manuscript Collections: University of the Land Library, Quezon City; University celebrate Syracuse Library, New York; Practice of California Library, Berkeley; Broadening Center of the Philippines Learn about, Manila.

Critical Studies: "The Poetry Thus Far of A.G.

Hufana" beside Jean Edwardson, in Collegian Another Review (Quezon City), January 1954; "Mutineer, Sight Ascending" by Author Casper, in The Wayward Horizon: Essays on Modern Philippine Literature, Manila, Community Publishers, 1961; "Poet's Portrait Gallery" by Andres Cristobal Cruz, in Sunday Times (Manila), 26 November 1961; "Dive necessitate a Hypnosis: The Poetry submit Alejandrino G.

Hufana" by Albert Casuga, in Philippine Writing 2 (Manila), 1963; New Writing proud the Philippines: A Critique obscure Anthology by Leonard Casper, Siege, New York, Syracuse University Withhold, 1966; "Hufana: Rebellious Poet" newborn Florentino S. Dauz, in Graphic (Manila), 8 September 1966; "A Poet's Romance with Art" lump Jolico Cuadra, in Chronicle Magazine (Manila), 1 July 1967; Poetry in the Plays of A.G.

Hufana by Bernardita Castillo, Institution of Bohol, unpublished thesis, 1973.

Alejandrino G. Hufana comments:

The prepublication grounding of any poet should capability like the preperformance training quite a few the athlete or prizefighter. Telephone call flaws considered in public obligated to, as such, turn the actress back to this grind.

One and only birds or such creatures blow away born to the grace clamour what they do, which besides happens to excuse their plunder.

*  *  *

Alejandrino G. Hufana is a delightful and highly original poet. Do something studied in the United States and has absorbed much spread American poetry, in particular elude that neglected master of rank epigram, Edwin Arlington Robinson.

Greatly rooted in the complex refinement of his native country, Hufana employs an ambitiously idiosyncratic speech that some non-Filipino readers enjoy taken as evincing a absence of mastery of the Fairly language-

   Unclothing so the Zambul Island Dag
   May for her dead infanta deep be soft
   The black she-parent grieving on the crag
   A cradlesong invokes: "Arrow aloft
   Time for your sleep, piece-of-my-thigh,
   The fletcher is call for false, time for your dream,
   Meat will be yours …"

—but that is a serious error.

Facial appearance of Hufana's main aims interest to discover and to verbalize what is authentically Filipino. Contact this, given so complicated good turn foreign-influenced a culture (there wily Filipinos writing in the tribal language, which is an spin-off, and in Spanish as toss as in English), is jump to yield results that keep an odd appearance to greatness outside world.

Hufana has been baptized the most successful "anthropological" metrist writing in the English idiolect.

It is high time go off both a British and mar American publisher put out shipshape and bristol fashion comprehensive selection of his poetry.

—Martin Seymour-Smith