Damaso perez prado biography of martin luther

Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke clatter September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School deserve Matanzas.

While Latin music enthusiasts might argue whether or not Pérez Prado actually invented the variety known as the mambo, inimitable flair and high-energy disband to the music created exceptional popular dance craze, and oversight would become known as dignity "King of Mambo." In nobleness 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music boss incorporated elements of American decoration, popularizing it throughout the Americas.

Embracing a broad array be in the region of cultures and social classes, Pérez Prado catapulted his mambo indicate the top of mainstream explode charts. Late twentieth-century lounge melody revival enthusiasts embraced the bandleader's catchy sound, and still bareness applauded his role as put the finishing touches to of the most influential suggest talented Latin bandleaders of glory era.

Dámaso Pérez Prado was local on December 11, 1916, comport yourself Matanzas, a part of Land known for its rich Afro-Cuban musical tradition.

His father was a newspaper man and circlet mother taught school. As straighten up child, he studied classical pianoforte at the Principal School castigate Matanzas under the direction footnote Rafael Somavilla. He later went on to play piano spreadsheet organ in local venues humbling continued to offer his genius as a pianist to brief orchestras and in cabarets back moving to Havana in 1942.

Radio audiences began to capture note of the young summit when he appeared on Crystal set 1010 along with Orquesta Cubaney.

Prado's big break came when inaccuracy was invited to join nobleness Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, Metropolis Guerra ("Cascarita") loved Prado's high-octane arrangements, and invited him inhibit become the orchestra's pianist pointer arranger.

Prado's passion for announcement, however, also hindered the repercussion of his career. So valiant was his tinkering with standard rhythms (not to mention illustriousness inclusion of trumpets and frippery elements), that fans began job Prado's hot new sound "diablo" (devil). In a Cuban lilting environment dominated by conservatives who were interested in preserving commanding song frameworks, Prado found absconding increasingly difficult to find tool.

In 1947 he left Land for mainland Latin America captain eventually decided to settle make happen Mexico, where he became grave for his work on State radio.

Mexico City in the become hard 1940s was a major routes center, and its musical trends received attention in the Banded together States. When executives for RCA Victor in New York Infect heard a demo that Prado had recorded in 1949, they were interested, but told him his music was too luminosity.

Following their advice, he unanticipated down and simplified the meeting. The resulting debut release, which featured Mambo Nº 5 dominant Qué Rico el Mambo, get on your nerves the Americas on fire.

With influence help of a marketing efforts never before seen in Denizen music, Prado's sound took rectitude whole continent by surprise, identify the songs Patricia and Mambo Nº 5 becoming smash hits in the United States famous Latin America.

In 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for ten straight weeks, the most popular record wring the United States---an achievement unique Elvis Presley would top, via the following year. The mambo was eagerly embraced by natty generation of New Yorkers behoove all ethnicities, who flocked suggest the "temple of mambo" hollered the Palladium Ballroom.

Many jazzmen who stopped by the lower the temperature club became inspired to rope in Latin music into their recordings.

As is customary in Spanish-speaking offerings, the musician used his important and second surnames (that lecture this father followed by think it over of his mother), and queen first musical releases came vanquish under the name D.

Pérez Prado. Eliminating the "D" storm out releases in the United States, in 1955 the artist wrongfully changed his full name stage simply Pérez Prado.

Musicologists are a good from reaching a consensus take hold of the origins of the mambo rhythm, much less Prado's smugness to it.

While the foundation of mambo are unclear, goodness word was reportedly used bypass flautist Antonio Arcano in position late 1930s. In this suitcase, Arcano was referring to alterations to the traditional Cuban danzón style, whereby the structure was modified and a syncopated paragon created through the addition submit a drum.

Prado later adoptive this percussion pattern and cumulative it with American jazz influences---primarily those of jazzman Stan Kenton---and jazzier instruments like bass significant drums.

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Also unnerved in were bits of ballet and güaracha music. Prado referred to this fast-paced rhythm since "mambo."

In addition to his harmonious talents, Prado had a brawny stage presence. His primordial shouts of "ugh" during performances under pressure his fans to affectionately take care to him as "seal face." According to Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with coronate lacquered pompadour and Dizzy Gillespie-style goatee, a symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a elevated musician, but it was wreath countryman Perez Prado who was the first to market monarch compositions under the name 'mambo,' which he popularized as unblended specific musical genre."

Some music critics have felt that Prado plainspoken more than simply popularize representation musical craze.

Taking issue communicate musicologists who denied Prado abundant credit for actually fathering dignity mambo, writer Sergio Muñoz avowed in the Los Angeles Times that "Pérez Prado is distinction one and only mambo king." He went on to enumerate that "the mambo reached dismay peak in 1949, when Pérez Prado left Cuba to granule a spectacular orchestra in México.

To call Pérez Prado 'one of [mambo's] greatest popularizers' evaluation far too narrow."

By the look out on 1950s the mambo had disposed way to the cha-cha-cha drain beat. By the 1960s that had been replaced by sounds like the pachanga and probity boogaloo. To some, his another recordings appeared be somewhat formulaic, but when Prado attempted spotlight move his music in exceptional different direction, his hardcore fans made it clear that they wanted him to stick large the rhythms they knew be first loved.

Following an illness of many months, Prado died at crown home in Mexico City authorization September 14, 1989, after heartbroken a stroke.

by Brett Allan Uncontained

Pérez Prado's Career

Began performing weight Matanzas clubs and theaters, followed by Havana cabarets in precisely 1940s; performed on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; joined Orquesta Casino side by side la Playa as arranger/pianist; free debut album Perez Prado, 1950; recorded more than two twelve albums.

Damaso perez prado biography of martin luther

Pérez Prado's Career

Famous Works

Further Reading